A Star Among the Looms: Marion Talley at Biltmore Industries

Opera singer Marion Talley at Biltmore Industries in 1926.
Marion Talley, fresh from her Metropolitan Opera debut, at Biltmore Industries in 1926.

Marion Talley was a sensation—imagine Taylor Swift in opera gloves. In 1926, at just 19, she made headlines as the youngest prima donna (leading female singer) to debut at the Metropolitan Opera, captivating audiences with her portrayal of Gilda in Rigoletto. Her meteoric rise enthralled the nation, with fans from coast to coast rallying behind the Missouri-born soprano.

Born in Nevada, Missouri, in 1906 and raised in Kansas City, Talley showed extraordinary musical talent from an early age. At just 15, she enchanted local audiences with her performance in Mignon, prompting the Kansas City community to raise $10,000 to fund her vocal studies in New York and Italy.

That investment paid off. Her debut at the Met in 1926 drew national attention and a crowd of hometown supporters, including the mayor of Kansas City. Her success extended into early sound film and radio, with appearances in Vitaphone shorts and a nationally broadcast NBC radio show.

The New York Daily News, February 18, 1926
The New York Daily News, February 18, 1926
The New York Daily News, February 19, 1926

Just months after her Met debut, Talley was booked to perform in Asheville on Saturday, May 22, 1926. Excitement swept the region. According to the Asheville Citizen-Times on May 9, “the advance mail order sale had broken all previous records for concerts in Asheville, many people coming a distance of over 300 miles to hear her.”

Asheville Citizen-Times, May 9, 1926

The day after her performance, The Asheville Times declared:

“Marion Talley’s concert last evening wrote a significant chapter in Asheville musical history… Several years ago Fritz Kreisler, the great violinist, drew a record crowd at the Auditorium, but that record was broken by Marion Talley.”

While in Asheville, Talley toured Biltmore Industries—now home to Grovewood Village. At the time, the enterprise was run by Fred Seely, a master promoter with a talent for drawing celebrity attention. It’s likely he gave Talley a private tour of the weaving and woodworking shops, showcasing Asheville’s vibrant arts and crafts scene.

She was photographed during her visit by renowned photographer George Masa. A former employee of both Biltmore Industries and the Grove Park Inn, Masa would later gain fame for his photographs of the Southern Appalachians, which helped inspire the creation of Great Smoky Mountains National Park. In the photo below, taken by Masa, long-time Biltmore Industries craftsman Robert Stevens presents Talley with a hand-carved fireplace bellows.

Opera singer Marion Talley and Robert Stevens at Biltmore Industries (now home to Grovewood Village), May 1926. Photo by George Masa, courtesy of Buncombe County Special Collections, Pack Memorial Public Library, Asheville, North Carolina. 

Tally was also photographed at one of the looms. The image later appeared in the Asheville Citizen-Times in an article titled “Textile Plants in the Mountains Grow.” Its caption read: “Miss Marion Talley, famous operatic star, pays an equally famous textile plant a visit. She is shown at one of the homespun looms at the Biltmore Industries plant.”

Textile article featuring Marion Talley at Biltmore Industries, Asheville Citizen-Times, April 8, 1928.

Though her operatic and film careers were relatively brief, Talley left an indelible mark as one of America’s first operatic superstars in the age of mass media. She spent her later years in California and passed away in 1983, remembered for her remarkable voice and the public fervor that surrounded her meteoric rise.

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